Sunday, 5 March 2017

Task 4a: Developing lines of inquiry

I currently work in a number of sectors of the performing arts, I would describe myself as 'transdisciplinary' according to Reader 4, I feel this has made it harder for me to choose which line of professional enquiry I wish to follow.

Part of me is pulling towards the end goal of becoming a higher education teacher, yet I am still very much in the performing world. I am surrounded by performers on a weekly basis so feel I could develop my lines of enquiry more with them. I feel I would be limited at the primary schools as to how much I could develop with other professionals as the reason I am employed is because I am so specialist to my subject. I also am I there when teachers aren't so I don't feel my current work life timetable would allow me to interact with them quite so much.
However a few thoughts I have been having about the lines of inquiry I would like to take have been crossing over into both sectors and this interests me, I would like to broaden some of my lines of inquiry as I am not looking for a specific outcome I feel i don't need to narrow my research and could have a much broader inquiry as a result of this.

Some of the questions I have thought about are:


  • Why isn't dance taken seriously as a subject in schools? 

  • Why isn't the performing arts world taken seriously as a career?

  • Funding for the arts is constantly being cut, how is this going to effect the future?

  • Why is funding for the arts being cut so much when a healthy lifestyle is trying to be boosted?

  • Why am I not considered to be a proper teacher when my subject is dance?

  • How are the funding cuts effecting grass roots level in schools?

  • Does performing arts provide a way of communication for some children who aren't necessarily excelling in other areas?

  • Does dance help with the discipline of children?

  • How does being involved with performing arts from grass roots level go on to help in later life?

  • Why is someone who has a dance degree but no performing experience considered above professionally someone who has been to a dance college and gained a diploma but been performing for several years professionally in the eyes of the education section?

  • How does a performing arts background benefit you as a teacher? Do it make you have higher expectations as you know what the demand is if they want to pursue performing as a career?
Please comment your thoughts about my questions and any other questions you may have! 


1 comment:

  1. Lucy I think we discussed some of these - take the ones most relevant now and see if you can have a a few main directions - put these on a follow-up blog?

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